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If you don’t understand the poem, you lose little time or energy. There is nothing really lost in reading a poem. You can do it and still reach your destination, but it’ll always feel like you’re missing something essential about the activity.ġ4. Reading without writing in the margins is like walking without moving your arms. It’s the same with being alive: Wonder and confusion mostly prevail.ġ3. Sometimes it takes dozens of readings to come to the slightest understanding. In other words, it’s okay if you don’t understand a poem. A poem can feel like a locked safe in which the combination is hidden inside. “Reading for pleasure” implies there’s “reading for displeasure” or “reading for pain.” All reading should be pleasurable: Like sex, it pleases to a greater or lesser degree, but pleasure ultimately isn’t the only point.ġ2. When you come across something that appears “ironic,” make sure it’s not simply the speaker’s sarcasm or your own disbelief.ġ1. A poet always wears a mask (persona) even if she isn’t trying to wear a mask, and so to equate poet and speaker denies the poem any imaginative force that lies outside of her lived life.ġ0. As hard as it sounds, separate the poet from the speaker of the poem. And you learn the rules of it like anything else-e.g., driving a car or baking a cake.ĩ. Reading poetry is a convention like anything else. A poem has no hidden meaning, only “meanings” you’ve not yet realized are right in front of you. We really have no idea what’s going to happen from moment to moment, but we have to act as if we do.Ĩ. Ambiguity is at the center of what is it to be a human being. In fact, a poem’s greatest potential lies in the opposite of paraphrase: ambiguity. If you don’t know a word, look it up or die.ħ. It’s up to you how hard you want to work.Ħ. People will tell you there are two kinds of poems: the “accessible poem” whose intent and meaning are easy to appreciate, and the “obscure poem” whose intent and meaning are difficult to appreciate. The mosquito, like the poem, may be irritating, but it’s not going to kill you to brave it for a little while longer.ĥ. Think of it as a Buddhist regards a pesky mosquito. Whether or not you are conscious of it, you are always looking for an excuse to stop reading a poem and move on to another poem or to do something else entirely.
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Then, if you are lucky, its world will help you re-see your own.Ĥ. In other words, don’t try to fit the poem into your life. If you have to “relate” to a poem in order to understand it, you aren’t reading it sufficiently. Try to meet a poem on its terms not yours. Why Some People Take Breakups Harder Than Others Lauren Howeģ. That is, the ear will tell the mind what to think. (Never mind what they said in grammar school-to subvocalize so that you won’t bother your peers.) Your ear will pick up more than your head will allow. When you read a poem, especially a poem not meant to be a “spoken word” poem, always read it out loud. Poems ask you to pay attention-that’s all.Ģ. Your life is continually changing most of the time you’re simply too busy to pay enough attention to it. Dispel the notion that reading poetry is going to dramatically change your life. Here are 20 modest proposals toward rethinking the act of reading a poem.ġ. Look but don’t get too close, and definitely don’t touch.īut what if the fine art of reading poetry isn’t so fine after all? What if the predicament about poems is precisely our well-intentioned but ill-fitting dispositions toward reading them? All those ragged lines and affected white spaces make them appear as though they should be treated only as pieces of solemn art. Unless patronized by celebrities, set to music, accompanied by visuals, or penned by our own children, poems do a terrible job of marketing themselves.
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The experience of reading a poem itself is as likely to turn us off, intellectually or emotionally, as it is to move us. At one time or another, when face-to-face with a poem, most everyone has been perplexed.